I was born in 1950 and raised on a dairy/sheep/orchard farm in Kendenup in WA’s South West, to Bill and Mavis, with two older brothers, a younger sister, and a brother.
We were a very musical family and every one of us kids played an instrument from accordions, piano, guitars, and drums.
Every once in a while, Dad would get a rush of blood to the head and he would bring out his mouth organ, banjo mandolin, (which I still have), and accordion and play up a storm, then put them all away in the cupboard again until next time.
My Granddad and Nana also lived on the farm a short walk away and they were also into music. Granddad had a beautiful tenor voice and Nana played the piano very well and would play the old traditional music, as well as the modern music of the day.
My Dad was a tough bushman and was pretty hard on us boys, but instilled into us a work ethic and honesty that has served me well throughout my whole working life.
We all worked long hours on the farm, and when the school bus dropped us home, Mum would make me a vegemite sandwich and a cup of milo, then off to work.
I would chop a load of wood for the fires, check my rabbit traps and then go and help milk the cows. It was usually dark by the time we arrived home for tea.
On the weekends we would be picking apples and stone fruit, or be shearing sheep, or doing a hundred other jobs that always needed doing on a farm.
About the only time we had off, was to either play footy in winter or tennis in summer, both of which I loved playing and was reasonably good at.
My musical journey started when I was around 12 when mum took us all into town to see Slim Dusty.
I had no recollection of ever seeing a guitar before that time as we had no TV and no one we knew had one, so I was in awe of this man playing and singing and was equally taken in by Barry Thornton picking away as well.
The next day I went into Dad’s workshop and cut a piece of plywood into the shape of a guitar and would pretend to play it and sing my heart out to the open paddocks much to the distress of our livestock.
At 13 for Christmas, my folks bought me an acoustic guitar which I played every spare moment I could and dreamed of one day being on stage playing and singing.
My first guitar hero was Hank B Marvin, so I would pick a few of the Shadows tunes (badly), and also learned some chords so I could sing along to songs I heard on the wireless.
My first time on stage was when I was 15 and played a couple of songs at our end-of-year school social with another classmate Roger Bell. I remember one of the songs being ‘Wooden Heart.’
At 15 I left home and moved to Perth to start my electrical apprenticeship. Being a very shy country boy back then, I was totally daunted by being away from family and familiar surroundings, but things turned around when I joined a band just before turning 16.
My guitar playing and singing improved greatly in that first year and so that was the beginning of nearly 20 years of playing in various bands with some fine WA musicians.
I can still remember the very first tune that we learned in the first band, and that was the Shadows ‘Apache,’ which I still play to this day and recorded on my ‘Guitar Picker’ Album.
I started writing songs pretty much as soon as I started with the guitar, but I didn’t think they were very good, however, I persisted and wrote quite a few in those band years and they were always 100% country songs.
I started taking out Jenny in my old FJ Holden when she was 15 and we married and had four beautiful children, Jason, Tania, Nicole, and Kelly, who are all good singers/musicians and songwriters so the music will carry on down the family.
When I was in my mid-30’s I stopped playing in bands to concentrate on our electrical contracting business and family but continued to play the guitar, sing and write songs.
But everything turned around for me in 1998 when I entered a Country song and my one and only Blues song into the WAMI Music Awards and both were nominated and I won the Blues Song of the Year.
Up to that time, I had felt my songwriting was passable, but that win gave me a belief that I could be a genuine songwriter.
Then in 2001, I picked up Best WA Country song at the Boyup Brook Festival, and I had to get up on stage for the first time in about 15 years and sing the winning song to a huge audience, which was pretty nerve-racking for me.
After the awards, I was asked to perform at a few venues, but coming from a background of always playing in bands I was not comfortable being on stage singing by myself, and that is when Jenny asked me if we should do it together. I jumped at that, as Jenny always had a beautiful voice and was a natural harmony singer, so we performed together for the first time at the Boyup Festival in 2002, where I also won the songwriting award again that year.
So that was the beginning of the Terry and Jenny duo, and we bought a PA and started doing some local gigs and expanding our song list, doing our own songs and Bush Ballad covers, and we also made a five-track demo CD to sell at the gigs.
We continued to do very well at the songwriting awards, and I signed a contract with a Tamworth Publishing Company. We were very proud to then have our songs recorded by other country artists and to date, the tally is over 40 songs.
We had always had a recording studio at home and in 2005 we produced and recorded our first commercial Album 'The Soldier With His Banjo'. We were very surprised at how well the CD was received by the public, and also by the radio stations all over the country, who seemed to like our West Aussie brand of Bush Ballads.
The Album won best Australian EP and the title track took us to the Golden Guitar Awards in Tamworth 2006, for the Bush Ballads category finalist.
We didn't win but a week later Jenny won Best Female vocalist at The Bungendore Stan Coster Memorial Bush Ballad Awards, which was a huge thrill for us both and an award Jenny always cherished.
By this time we had sold off all our businesses and we decided to concentrate on our music, and started touring and taking our music to the rest of Australia.
We released 'The Good Old Days' in 2006 picking up multiple awards and then released 'Songs Of Our Land' in 2008 to equal acclaim, with four entries into the TIARA awards winning the Bush Ballad Section and three WA Awards for Best Single and Album plus Best Male Artist.
In 2009 after a five-month tour of Australia with Jammo, Alisha, and Caitlyn, we came home to the news that the melanoma that Jenny had removed from her in 2006 had flared up again, and I lost my beautiful wife on the 8th of April 2012 which was the saddest day of my life.
In February 2012, Evan Platschinda and Ginger Cox, and I played together for the first time at the Boyup Brook Country Music Festival and the different vocal and guitar styles all worked very well together so the 'Band Of Mates' was formed and we have been touring the country and playing at festivals ever since.
We still performed as solo artists as I live near Perth, Evan lives in Victoria and Ginger hails from Broome in the Kimberley, but we still managed to get together many times a year to do our band shows.
I did very little musically for quite a while, but then I was asked by my fellow ‘Band of Mates’ Evan and Ginger if I would produce and record another album each for them in my Red Dog Recording Studio.
So, that got me back into recording mode again, and after releasing those two CDs, I decided to start work on a new recording for myself.
I had a lot of songs that had been kicking around for some time that I and also Jenny had written, so I chose nine vocal and three instrumental tracks.
Then on ANZAC day 2014, I released my 'Mateship' Album and am very pleased with how the CD has been received around the country by the radio folks and in general.
I did very well in the instrumentals, picking up Best Instrumental at the Gidgee Coals Bush Ballad Awards in November 2014.
Then immediately after that, finding out that the track ‘Riders of the Kimberley’ has made the finals in the CMAA Golden Guitar Awards.
So I headed off to Tamworth in January 2015, for a round of gigs by myself, and also with the Band of Mates.
Unfortunately, I didn't win the Golden Guitar but picked up some Instrumental and Songwriting Awards, so didn't come away empty-handed from Tamworth.
Although I mainly wrote by myself in 2014, I teamed up with a mate of mine Keith 'Cobber' Lethbridge who is an exceptionally talented Bush Poet.
We have had a lot of success with the songs we have written together, picking up many songwriting awards and also having other artists recording our songs as well.
Dale Duncan recorded 'The Old Camp Oven' and in 2016 took it to the top of the Country Music Charts, where it stayed for three weeks, so thanks to Dale.
Our biggest success was for ‘Station Minderoo’ which Dale took to number one on the charts and we picked up Best Bush Ballad and Song of the Year at the 2019 TSA Awards.
Dale also had a lot of success with a song I wrote with Keith Jamieson called 'Slim Dusty Rose'.
By August 2015 I proposed to my new partner Virginia Hansen in Broome and we were married later that year on the 12th of December 2015.
A week before that, we headed off to Sydney for the Australian Songwriting Awards where I picked up Best Instrumental Award for 'Riders of the Kimberley' and shared a best live performance award on the night as well. The ASA certainly knows how to put on an awards night, and we came away with some great memories.
We had a bit of a hiccup going to Sydney, as I had bought a new suit to get married in and decided to wear the jacket when I performed on stage at the awards. After we arrived back home and about two days before the wedding, we discovered I had left my coat in the hotel room back in Sydney so was then a mad scramble trying to hire another suit for our big day.
I had been working on a follow-up album for some time and released 'Salt of the Earth' in July 2016, and had the official release at the first Nambung Country Music Muster in October that year.
The Nambung Festival was started by Station owners Brian and Gloria White, Evan Platschinda, and myself.
The success of it all took us all by surprise, and it was very quickly decided to hold another the following year in 2017, with the Best of the West Country Artists and Bush Poets and some artists from the East as well.
We will be holding our seventh Nambung Muster in October 2022, which will be the last as the station has now sadly been sold.
'Salt Of The Earth' has been very well received and picked up quite a few Instrumental and Songwriting Awards, including the Australian Songwriting Awards again for Best Instrumental with 'Turquoise Bay'.
On a personal note, I sold my residential bush property in Gnangara, where I had lived for over 20 years, and Virginia and I bought a home in Kallaroo, which is near the beach North of Perth.
It has a large spare room which has become my recording studio, and recorded my first Instrumental Album ‘Guitar Picker’ and released in 2018.
We are blessed to have some of the best musicians in Australia living in the West, notably Ian Simpson on Banjo and Dobro, Lucky Oceans - Pedal Steel, and Mark Donohoe on Bass to help me out on the recordings. The ‘Guitar Picker’ Album was a huge success for me as a lot of folks had been asking for an Instrumental Album for some time.
In between recording Albums we go touring and spend at least three months every year travelling and taking our music to the Pilbara and Kimberley which holds a very special place in our hearts and we have written many songs inspired by the people and the land up there.
A good chance to catch up with my old mate Ginger Cox and play a few shows together as well.
In 2020 whilst in lockdown I finished recording my Album ‘A Fortunate Life’ and had immediate success with my first single release ‘Welcome to Australia’ spending three months in the CM Charts with six in the top ten but fell just short of reaching Number one.
It won me Best Comedy at the Gidgee Coals Bush Ballad Awards and also The TSA Awards. Two instrumentals off the Album won the Tamworth C.C.M.A. National Composer of the Year in 2021 and 2022.
Although Covid took a big toll on the music industry we were still able to tour here in WA in 2020 and 2021 during the winter up to the Kimberley and back for four months each year, which gave us a chance to still perform and catch up with mates on the road.
We lost all our festivals in early 2022 but that gave me a chance to complete my latest Album 'The Dinner Tree' which I had mastered on the 27th of April by Jeff McCormack.
I'm very happy with the new album and looking forward to performing songs and instrumentals of it on our trip up North starting on the 23rd of May 2022. Hope to see you on the road.
All the best, Terry.